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The Danish independent multi-platinum pop artist screams it out on her new single, ‘Scream’, set for
release on july 25th.
Theresa Rex is back with a power ballad of epic proportions that builds from anxious and raw to explosive
and hopefull. “Scream” is more than a song, it’s an emotional journey. Inspired by her own experiences with anxiety, Theresa taps into the universal feeling of being overwhelmed, when the noise in your head gets too loud, and you just want to let it all out. The lyrics capture the inner chaos many young people face today, trying to drown out their troubles, partying, pushing limits instead of respecting their boundaries, until it all becomes too much.
At the heart of “Scream” is brutally honest songwriting. With lines like “I’m medicated ‘cause my body has
decided to hate me”, Theresa gives voice to the physical toll of mental health struggles and the quiet
desperation that so many try to mask.
“I have really bad anxiety, the kind that had me calling ambulances thinking I was having a heart attack.
For a while, I thought I was making it better by drinking my worries away, but it would always end up with
me, being to much, staying out to long, hurting my own feelings’
She is the voice behind several world wide radio hits, and has more than 1,5 billion streams to her name.
Theresa Rex proves once again she’s a force to be reckoned with. “Scream” is a roaring power ballad for
a generation on the edge, raw, relatable, and impossible to ignore.
With “Scream,” Theresa Rex opens up a bold emotional dialogue, offering listeners an unapologetic invitation to feel deeply and honestly. Channeling raw vulnerability into sonic strength, the Danish artist reclaims emotional expression as a form of defiance. The single champions self-acceptance, confronting internal chaos with fearless openness. In an era where vulnerability is often hidden behind filters and facades, Theresa Rex reminds us that the act of screaming is not weakness—it’s power, it’s release, it’s survival.
The song was written in Iceland by Theresa Rex along with Icelandic writer Hákon Guðony and the
Finnish producer Camu Creutz.
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